CS (Connections Study)

Overview

The Connections Study (CS) is a core assessment task for SL students in the new IB DP Visual Arts course. It carries 20% of the final grade and provides students with the opportunity to situate one of their own resolved artworks in context—both personal and historical—through meaningful research and visual storytelling.

🔹At Art-Ed Hub, we recommend flipping the traditional process.
Instead of beginning with a resolved artwork and tracing backward, students begin with research: selecting two artworks by different artists that speak to them, exploring their significance, and allowing this inquiry to lead into their own artistic response.
The result is a study rooted in curiosity, layered understanding, and creative integrity whilst still aligning fully with IB expectations.

Understanding the Assessment Objectives

The CS is assessed using three assessment objectives: Situate, Investigate, and Curate. These guide both the structure of the final submission and the learning that leads up to it. From early research to final editing, students should engage with these objectives intentionally and reflectively.

Assessment Objective What It Looks Like in Practice

Situate

Students provide visual and written evidence that situates their resolved artwork:
• In relation to their own context(s)
(personal, cultural, social, geographical)
• In relation to at least two artworks by different artists
Focus: How does your work connect—conceptually, stylistically, or technically—to these artworks and to your life? Prompt: “What makes these connections meaningful to you and to your practice?”

Investigate

Students research and analyse the cultural significance of the two artworks they’ve selected, both in their original contexts and across time/place. Focus: What makes these artworks significant beyond their surface? Prompt: “How were these works understood in their original context—and what meaning do they carry now?”

Curate

Students select, organize, and present visual and written materials that clearly communicate their inquiry. This includes visuals from their own process and artworks, plus relevant visual and textual evidence from their research. Focus: How do your choices of layout, language, and visuals support clarity, coherence, and insight? Prompt: “How can you present your findings in a way that shows thoughtfulness and intention?”

What’s Included in This Sample

This CS sample includes:

  • A complete student submission aligned with Art-Ed Hub’s research-led approach
  • Annotated feedback on each assessment objective
  • A student-friendly assessment sheet for classroom use
  • A visual breakdown of the CS rubric to guide planning and self-assessment

 

This is not a comparative study. It’s a situated study and when done well, it becomes a powerful, inquiry-driven bridge between student practice and the wider artistic world.

Sample

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Assessment

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More IB Samples

AIP (Art-Making Inquiries Portfolio)

The Art-Making Inquiries Portfolio (AIP) is a core assessment task in the IB DP Visual Arts course, weighted at 40% for SL and 30% for HL. It provides evidence of a student’s creative and conceptual development over time, shaped through inquiry, contextual research, experimentation, and artistic reflection.

AP (Artist Project)

The Artist Project (AP) is a core assessment task for HL students in the IB DP Visual Arts course, worth 30% of the final grade. It asks students to independently conceive, develop, and situate a resolved artwork: a piece they create from start to finish, guided by their own context, curiosity, and creative voice.

RA (Resolved Artworks)

The Resolved Artworks (RA) is a core assessment task for SL students in the IB DP Visual Arts course, weighted at 40% of the final grade. It asks students to present a curated body of five resolved artworks, accompanied by a written rationale that communicates their artistic intentions, decision-making, and process of realization.

SRA (Selected Resolved Artworks)

The Selected Resolved Artworks (SRA) assessment task is exclusive to Higher Level (HL) students and carries 40% of the final grade. It invites students to curate a meaningful, coherent body of five resolved artworks, chosen from their wider production across the course, and to present that body alongside a written rationale, artwork texts, and a visual selection chart.